Shoot to maximize image quality and you will quickly start to see the difference each format provides. Ultimately, Hasselblad lenses are by far some of the worst lenses available on the market and do not perform at the level they are stated. The Zeiss will produce shallower DOF compared to the 150mm from Hasselblad. Hasselblad’s H6D falls into the latter camp. A good 85mm lens will produce shallower depth of field and have more compression due to needing to stand further back to match the framing. The H6D will adjust focus as necessary so your subject is clear and in focus. Personally I find the H system challenging to maximize - it's a lot easier to shoot with a Canon or Sony. Chromatic abberation was a major problem for the first version of this lens however it hasn't been fully corrected in the latest version. Also if you shoot at equivalent apertures between the two systems 24mm FF = 40mm MF then you need to stop down far more for medium format than you do for full frame to get the same depth of field. The macro from Hasselblad was the best performing from lens from Hasselblad, but even with that, it wasn't able to produce more detail compared to the Canon. Hasselblad has been struggling and their lens development has been lagging. For the first comparison below I used the 100mm Macro from Canon on a Sony a7R II versus the 100mm f/2.2 on the H6D-100c. That's typical for a medium format camera with a removable back. Hasselblad had supplied the 100/2.2 I used my own 50-110, 120 macro, with and without extension tube and my 28mm. It may also be worth mentioning that the Phase One produces cleaner images compared to the Hasselblad due to it being able to shoot at ISO 50. You should feel comfortable shooting the H6D at any available ISO. Phase one is better at the moment but that doesn't excuse grossly misusing the system. Rear controls, all accessible using your thumb, include a control wheel and buttons to activate the True Focus system and set Autoexposure Lock (AE-L). The worst performing lens from Hasselblad was by far the 24mm f/4.8 N, this lens even when stopped down to f/14 is incredibly soft, especially in the corners. Swiping up on the display switches to the Main Menu, which gives you access to more settings. I never spoke to the art director about the equipment but received unsolicited feedback praising the colors of the set (never received that kind of feedback before from her). You can peer through the lens on your computer monitor to set framing, although as with Live View on the camera itself autofocus doesn't work in this mode. Latest News. This isn't a major issue but does need to be noted. Today, just three years later, Hasselblad … The fact that it does not crop the width of the sensor means you can use the medium format lenses to their full capabilities and getting the right composition is made much easier for video. Hasselblad H6D-400c - Multi-Shoot WiFi Body . Hasselblad H6D-50c Medium Format DSLR Camera, Gray 5.0 out of 5 stars 3. Hasselblad H6D-50c : Tests and Reviews Specifications COMPARISON SELECTION (3 selected items max.) The resolution is absolutely incredible on this thing – each Raw image has a file size of 216,3 Megabytes. If you click an affiliate link and buy a product or service, we may be paid a fee by that merchant. But I have to agree with your many detractors here. It feels as though this is simply a rehash of the old H5D without many (if any) updates. The 16-bit Raw format shines here, as it's possible to pull details out of dark shadows in scenes with uneven lighting—just take care not to blow out the highlights when making your exposure. Looking at this comparison, one could almost justify the massive price difference between both cameras and lenses. You effectively took a Ferrari on a dirt road and then wrote this article... Ferrari Enzo Comparison review - SUV's Outperform Sports Cars. I also have a DSLR system and use it where appropriate. The generalization in your article title is misleading. DxOMark review for the Hasselblad H3DII-39 The Hasselblad H3DII-39 is in good position for Color Depth ranking (in 4th place on the DxOMark general ranking with a score of 24.2; the average score for 4 medium format cameras is 24.1), and also for Dynamic Range (6th place on the DxOMark general ranking, with a score of 12.5; the average medium format score is 12.4). With two or three lights on, the H6D cycled through various exposure times, ranging from 0.6-second all the way to 34 minutes for an exposure that I metered at 1/60-second. And we're not talking about your friend who has an, How to Free Up Space on Your iPhone or iPad, How to Save Money on Your Cell Phone Bill, How to Find Free Tools to Optimize Your Small Business, How to Get Started With Project Management, The Best DSLR and Mirrorless Cameras for 2020, The Best Point-and-Shoot Cameras for 2020, Amazon's Panorama Makes Any Surveillance Camera Intelligent, How to Use Your Digital Camera as a Webcam, DJI Targets Vloggers With Pocket 2 Camera, Fujifilm X-S10 Puts IBIS Into Compact, Affordable Body, Nikon Z 6 II and Z 7 II: Dual Card Slots Have Arrived, Voigtlander Nokton 21mm F1.4 Aspherical Review. The sensor on the Phase One however has been implemented better and the images do have more accurate colours with less noise compared to the Hasselblad. Digitale … The sheer breadth of tonality that can be captured with the H6D-100c has to be seen to be believed.The already compelling case for medium format capture has just become substantially more attractive. The biggest and most exciting thing about the H6D is the rear LCD screen. That is, if you have $33,000 to spare. Kostenloser Versand ab € 20,-Click & Collect. H6D; H6D-400c Multi-shot; H6X; H6D-100c Digital Back; H System Lenses; H System Accessories; V System; 907X 50C; 907X Special Edition; Firmware; Phocus software; Phocus Mobile 2; Phocus Mobile; Industrial solutions; A6D; Collaborations; DJI Mavic 2 Pro; Hasselblad x Alpa; Sandqvist x Hasselblad; Hasselblad … Service Filialen Anmelden. The title is so clearly misleading its simply shocking. I do not have to any more. It broadcasts a network that you can connect to via an Android or iOS device. In short yes they did advise shooting wide open especially for portraits to get that beautiful medium format bokeh. This is quite essentially the "medium format look," the wider angle of view but with the same shallow depth of field of a telephoto lens. In this guest review, Osaka-based filmmaker Matthew Carmody takes a close look at the Hasselblad H6D-100c – a 100MP, 4K Raw-capable medium format camera. I will give you an example. High-speed sync isn't necessarily required due to this and this expands the kind of flashes and studio heads that you can use for your shoots. With its huge 100-megapixel sensor, this camera does produce some very detailed and beautiful images. This camera model allows the attachment and interface of non-Hasselblad backs, such as ones from Phase One or Leaf. I have been using the H6D-100c camera system for more than a year, and I wanted to see if it holds up to the perception. Hasselblad H6D-50c Review Hasselblad celebrates its 75th anniversary with a display of its Swedish craftsmanship with the Hasselblad H6D-50c. It is important to note however that this above comparison is mostly demonstrating the difference in the angle of view only when using the same focal length. Fstoppers Reviews the 100-Megapixel Medium Format Hasselblad H6D-100c Camera, Incredible Results Using Lightroom's Radial Filters, 11 Ways to Improve the Sharpness of Your Images (Part 2), Mirrorless Isn't All It's Cracked up To Be, Fujifilm GFX 50R Medium Format Versus Sony a7R III Full Frame: An Artistic Comparison. In the examples below, you'll be able to see the differences in the colors between the Canon, Sony, and Hasselblad. That said, unless you use continuous LED lights in your studio, you don't have anything to worry about. If you use all the systems mentioned regularly I think you will find that each has its strengths and weaknesses. The second set of images below are comparing the two macro lenses on the Hasselblad and the Sony a7R II. The H6D-50c uses the same CMOS image sensor that we've seen in other medium format cameras, including the Pentax 645Z, the Phase One IQ250 , and the Mamiya Leaf Credo 50 . You can see the plain of focus on the beak is the same as the zeiss. The H6D body has physical controls to adjust settings. Suchen. Only 1 left in stock - order soon. Growing lens library. Protected from dust and splashes. The first two jobs I shot with the hasselblad (side by side with Canon as a safety) I received direct feedback from an art director I've worked with for a while and a new agency art buyer (and their client). Having said that it's easier to simply say that Hasselblad is better in the perfect environment than to actually demonstrate that. In every test completed, lenses like Zeiss, Sigma Art, and even some well-known Canon lenses out performed the Hasselblad lenses in sharpness and detail. Rugged construction. Lenses capture a wider field of view than you'll get from those of identical focal lengths in 35mm systems, delivering a look that differs from a high-resolution 35mm SLR like the Canon EOS 5DS R ($3,899.00 at Buydig) . In fact the performance is so bad that even the telephoto lens from the iPhone 7 Plus is much sharper in the corner versus the Hasselblad. And, if you still have some nostalgia for analog capture, you can mount a 120 roll film back onto the H6D. In general, shooting away from a studio environment, I found myself switching to manual focus far too often due to the camera failing to find focus. The 24mm Hasselblad is designed for 1.3x crop sensors like the 50mp back. 1982 ~ 1989. That out of focus look is exactly how bad the Hasselblad is when in focus. I almost picked one up since I have a large collection of Minolta a mount glass. But it is cherry picking. Its low price point and streamlined performance are big check marks in its favor. No... 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